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To witness the start of a star is usually a exceptional point—but in 2021, we witnessed two. It was just weekly into January that Olivia Rodrigo’s “drivers license” arrived, a debut one so fast and so relatable that it swiftly turned a pop cultural landmark, a Tune from the Calendar year-amount assertion that felt similar to a affirmation:
Persecuted from the law enforcement and popularized about the streets of your Caribbean island, a subculture emerged inside the mid-nineteen nineties that's now sweeping the globe. EL PAÍS visited the home turf of reggaeton, to meet the movement’s previous and new heroes“That’s something that I really enjoy from this new era that’s underta